Christo: White Gallery, Lausanne (1975)
Exhibition catalogue
Publisher: White Gallery, Lausanne
Artist: Christo Vladimirov Javacheff (1935-2020) and Jeanne-Claude(1935–2009)
Title: Christo - Wrapped Coast, little bay Australia 1969
Publication date: 1975
Pages: Unpaginated
Edition: Single edition
Note: Includes the invitation cardAbout
In 1975, the White Gallery in Lausanne, Switzerland, hosted an exhibition titled Christo, showcasing the Wrapped Coast project.The exhibition featured preparatory works, including drawings, collages, and photographs by Shunk-Kender, offering insight into the planning and execution of the installation. "Wrapped Coast" involved enveloping approximately one and a half miles of coastline and cliffs near Sydney, Australia, with 1,000,000 square feet of light beige erosion-control fabric and 35 miles of rope. The project transformed the natural landscape into a temporary artwork, inviting viewers to experience the familiar environment in a new light.
The Lausanne exhibition not only highlighted Christo and Jeanne-Claude innovative approach to art but also underscored his dedication to engaging the public with his projects. By displaying the preparatory works, the duo provided a glimpse into the conceptual and logistical challenges involved in his large-scale installations. This exhibition underscored his commitment to creating art that was both accessible and thought-provoking, encouraging viewers to reconsider their perceptions of everyday environments and objects.
Christo Vladimirov Javacheff (1935-2020) and Jeanne-Claude (1935-2009)
Christo and Jeanne-Claude were a renowned artistic duo known for their large-scale environmental installations that transformed public spaces and landscapes into temporary works of art. Born on the same day in 1935—Christo in Bulgaria and Jeanne-Claude in Morocco—the pair met in Paris and began collaborating in the late 1950s. Their projects often involved wrapping buildings, bridges, and natural elements in fabric, creating striking visual interventions that altered the perception of familiar environments. Some of their most famous works include The Pont Neuf Wrapped in Paris (1985), The Wrapped Reichstag in Berlin (1995), and The Gates in New York’s Central Park (2005). Their art was always self-funded through the sale of Christo’s preparatory drawings and models, maintaining their independence from corporate or governmental sponsorship.
Beyond their aesthetic impact, Christo and Jeanne-Claude’s works explored themes of impermanence, accessibility, and public engagement. Their projects, often taking decades to plan, were temporary by design, existing for only a few weeks before being dismantled. This ephemeral nature emphasized the transient beauty of their creations while sparking discussions on the intersection of art, space, and community. Though Jeanne-Claude passed away in 2009, Christo continued realizing their joint visions until his death in 2020. Their legacy endures through their ambitious, transformative projects that challenged traditional notions of sculpture and environmental art.
Condition: Good overall condition (Integrity and authenticity). Signs of age and wear.
Provenance: White Gallery, Lausanne. Acquired private collection (Portugal). Ownership: Monginho Collection
Exhibition catalogue
Publisher: White Gallery, Lausanne
Artist: Christo Vladimirov Javacheff (1935-2020) and Jeanne-Claude(1935–2009)
Title: Christo - Wrapped Coast, little bay Australia 1969
Publication date: 1975
Pages: Unpaginated
Edition: Single edition
Note: Includes the invitation cardAbout
In 1975, the White Gallery in Lausanne, Switzerland, hosted an exhibition titled Christo, showcasing the Wrapped Coast project.The exhibition featured preparatory works, including drawings, collages, and photographs by Shunk-Kender, offering insight into the planning and execution of the installation. "Wrapped Coast" involved enveloping approximately one and a half miles of coastline and cliffs near Sydney, Australia, with 1,000,000 square feet of light beige erosion-control fabric and 35 miles of rope. The project transformed the natural landscape into a temporary artwork, inviting viewers to experience the familiar environment in a new light.
The Lausanne exhibition not only highlighted Christo and Jeanne-Claude innovative approach to art but also underscored his dedication to engaging the public with his projects. By displaying the preparatory works, the duo provided a glimpse into the conceptual and logistical challenges involved in his large-scale installations. This exhibition underscored his commitment to creating art that was both accessible and thought-provoking, encouraging viewers to reconsider their perceptions of everyday environments and objects.
Christo Vladimirov Javacheff (1935-2020) and Jeanne-Claude (1935-2009)
Christo and Jeanne-Claude were a renowned artistic duo known for their large-scale environmental installations that transformed public spaces and landscapes into temporary works of art. Born on the same day in 1935—Christo in Bulgaria and Jeanne-Claude in Morocco—the pair met in Paris and began collaborating in the late 1950s. Their projects often involved wrapping buildings, bridges, and natural elements in fabric, creating striking visual interventions that altered the perception of familiar environments. Some of their most famous works include The Pont Neuf Wrapped in Paris (1985), The Wrapped Reichstag in Berlin (1995), and The Gates in New York’s Central Park (2005). Their art was always self-funded through the sale of Christo’s preparatory drawings and models, maintaining their independence from corporate or governmental sponsorship.
Beyond their aesthetic impact, Christo and Jeanne-Claude’s works explored themes of impermanence, accessibility, and public engagement. Their projects, often taking decades to plan, were temporary by design, existing for only a few weeks before being dismantled. This ephemeral nature emphasized the transient beauty of their creations while sparking discussions on the intersection of art, space, and community. Though Jeanne-Claude passed away in 2009, Christo continued realizing their joint visions until his death in 2020. Their legacy endures through their ambitious, transformative projects that challenged traditional notions of sculpture and environmental art.
Condition: Good overall condition (Integrity and authenticity). Signs of age and wear.
Provenance: White Gallery, Lausanne. Acquired private collection (Portugal). Ownership: Monginho Collection
Exhibition catalogue
Publisher: White Gallery, Lausanne
Artist: Christo Vladimirov Javacheff (1935-2020) and Jeanne-Claude(1935–2009)
Title: Christo - Wrapped Coast, little bay Australia 1969
Publication date: 1975
Pages: Unpaginated
Edition: Single edition
Note: Includes the invitation cardAbout
In 1975, the White Gallery in Lausanne, Switzerland, hosted an exhibition titled Christo, showcasing the Wrapped Coast project.The exhibition featured preparatory works, including drawings, collages, and photographs by Shunk-Kender, offering insight into the planning and execution of the installation. "Wrapped Coast" involved enveloping approximately one and a half miles of coastline and cliffs near Sydney, Australia, with 1,000,000 square feet of light beige erosion-control fabric and 35 miles of rope. The project transformed the natural landscape into a temporary artwork, inviting viewers to experience the familiar environment in a new light.
The Lausanne exhibition not only highlighted Christo and Jeanne-Claude innovative approach to art but also underscored his dedication to engaging the public with his projects. By displaying the preparatory works, the duo provided a glimpse into the conceptual and logistical challenges involved in his large-scale installations. This exhibition underscored his commitment to creating art that was both accessible and thought-provoking, encouraging viewers to reconsider their perceptions of everyday environments and objects.
Christo Vladimirov Javacheff (1935-2020) and Jeanne-Claude (1935-2009)
Christo and Jeanne-Claude were a renowned artistic duo known for their large-scale environmental installations that transformed public spaces and landscapes into temporary works of art. Born on the same day in 1935—Christo in Bulgaria and Jeanne-Claude in Morocco—the pair met in Paris and began collaborating in the late 1950s. Their projects often involved wrapping buildings, bridges, and natural elements in fabric, creating striking visual interventions that altered the perception of familiar environments. Some of their most famous works include The Pont Neuf Wrapped in Paris (1985), The Wrapped Reichstag in Berlin (1995), and The Gates in New York’s Central Park (2005). Their art was always self-funded through the sale of Christo’s preparatory drawings and models, maintaining their independence from corporate or governmental sponsorship.
Beyond their aesthetic impact, Christo and Jeanne-Claude’s works explored themes of impermanence, accessibility, and public engagement. Their projects, often taking decades to plan, were temporary by design, existing for only a few weeks before being dismantled. This ephemeral nature emphasized the transient beauty of their creations while sparking discussions on the intersection of art, space, and community. Though Jeanne-Claude passed away in 2009, Christo continued realizing their joint visions until his death in 2020. Their legacy endures through their ambitious, transformative projects that challenged traditional notions of sculpture and environmental art.
Condition: Good overall condition (Integrity and authenticity). Signs of age and wear.
Provenance: White Gallery, Lausanne. Acquired private collection (Portugal). Ownership: Monginho Collection